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Neha Soman
Neha Soman
Assistant Professor, National Institute of Technology Rourkela
Verified email at buc.edu.in
Title
Cited by
Cited by
Year
Space, place and consciousness; Explorations on Jewish identity in Amos Oz’s life narrative A Tale of Love and Darkness
N Soman
British Journal of Middle Eastern Studies 49 (4), 614-628, 2022
32022
Hegemony, Exclusion and Equivocal Identities: Reflections on Israel's Arab Minority in Sayed Kashua's Dancing Arabs
N Soman, P B
Rupkatha Journal of Interdisciplinary Studies in Humanities 12 (5), 1-9, 2020
12020
„Healer to Destroyer; A Study on the Hybrid Aesthetic Approach to Music and Language through Anna Smaill’s The Chimes”
B Padmanabhan, N Soman
The Literary Herald. An International Refereed English e-Journal 3, 4, 2017
12017
Human territorial behaviors and power politics in assaf gavron’s the hilltop: a spatial re-examination
N Soman, B Padmanabhan
GeoJournal 89 (1), 21, 2024
2024
Gender, Memory, and Postcolonialism; Reading Indian Jewish Diaspora in the Memoirs of Ruby Daniel, Sadia Shepard, and Jael Silliman
N Soman
2024
The Duality of Arab Israeli Identity and the Politics of Survival in Sayed Kashua’s Let it Be Morning
N Soman, V Suganya, B Padmanabhan
Rupkatha Journal on Interdisciplinary Studies in Humanities 13 (3), 2021
2021
Ethnic Democracy and the Case of Israel: A Parallel Reading of Sayed Kashua’s Let It Be Morning and Sammy Smooha’s “Ethnic Democracy”
N Soman, P B
IAFOR Journal of Arts & Humanities 7 (1), 27-35, 2020
2020
Abjection and Forced Displacement: A Study of Mourid Barghouti's I Saw Ramallah
N Soman, B Padmanabhan
Literary Voice, 126, 0
Limits to the Self: Revisiting the Jewish Wandering Syndrome in Eshkol Nevo’s Neuland
N Soman, B Padmanabhan
Essence & Critique: Journal of Literature and Drama Studies 1, 69-86, 0
Politics of Coexistence; Israel’s Ethnic Division & Multicultural Reality In Sayed Kashua’s Dancing Arabs
N Soman, P B
Journal of Literature and Aesthetics 19 (1), 0
The Façade of Wandering Israeli and the Reality of Jewish National Attachment; Revisiting Eshkol Nevo’s Neuland
N Soman, B Padmanabhan
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