"Selling poverty" on Kuaishou: How entrepreneurialism disciplines Chinese underclass online participation J Hou, Y Zhang Global Media and China 7 (3), 263-282, 2022 | 6 | 2022 |
Short Video Activism With and on Douyin: An Innovative Repertoire of Contention for Chinese Consumers Z Yu, J Hou, OT Zhou Social Media+ Society 9 (1), DOI: 10.1177/2056305123115, 2023 | 5 | 2023 |
A platform for underclass youth: Hanmai rap videos, social class, and surveillance on Chinese social media J Hou First Monday 26 (9), DOI: 10.5210/fm.v26i9.10587, 2021 | 5 | 2021 |
Contesting the Vulgar Hanmai Performance from Kuaishou: Online Vigilantism toward Chinese Underclass Youths on Social Media Platforms J Hou Introducing Vigilant Audiences, 49-75, 2020 | 5 | 2020 |
To Exaggerate Data at All Costs: Data-Driven Fan Culture, Platforms, and the Remaking of the New Poor in China J Hou Asiascape: Digital Asia 9 (3), 273–301, 2022 | 1 | 2022 |
Fake Popularity for Real Money: Commercial Astroturfing and Data Bubble on Chinese Digital Platform X Han, J Hou AoIR Selected Papers of Internet Research, 2021 | 1 | 2021 |
[Book Review] Larisa King Mann, Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power J Hou International Journal of Communication 18, 3, 2023 | | 2023 |
Making Ends Meet by Mining on Blockchain: Subalternity, Materiality, and Yearnings of Chinese Amateur Crypto-miners J Hou Journal of Digital Social Research 5 (2), 80-117, 2023 | | 2023 |
From Vulgar Hanmai to Poverty Selling: The Changing Online Subculture of the Chinese Underclass J Hou 2023 AAS Annual Conference, 2023 | | 2023 |
[Book Review] Jeremy W. Morris and Sarah Murray (Eds), Appified: Culture in the age of apps J Hou Mobile Media & Communication 9 (3), 608-609, 2021 | | 2021 |